all arms and legs
Jul. 18th, 2025 08:12 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Like, for me as a reader, you can't pretend that the Batfamily is totally ignorant of the Greek pantheon or demigods if you've got Diana around. And I realize that some folks are basing their Batfamily stuff on other people's fic (I'm not making that call - some of them state it outright in their notes), which may not contain any info on Wonder Woman or the Amazons etc. but Wonder Woman is not an obscure superhero! Even if you ignore the retcon that she's a daughter of Zeus (and you should! Even the comics have walked that back, though I can see why it might be interesting to work into this kind of crossover), she was made of clay and had life breathed into her by Greek goddesses.
I mean, it complicates things to some degree, because where was she during all of Percy's adventures, but 1. she was in space/another universe etc., or 2. she'd been stripped of her powers for trying to help, or 3. she was back on Themyscira, and unaware, or, or, or... And those are just off the top of my head. Mostly I've seen Percy and friends angry that she didn't participate and that's a fine way to go, but like, I feel like something has to be said, even if just in passing, unless it's set very very early in Batman's career and he hasn't met her/she isn't public yet. And the ones I've found so far are not set in that timeframe, because the fun of the crossover is having all the kids interacting with each other and with Bruce.
Anyway, I'm always interested in how other people make crossovers work, because for me, skipping over most of the nitty-gritty of trying to make incompatible worlds/magical systems etc. work together is the way to go - choose one or two details to set the vibe and handwave the inconsistencies.
***
US Politics: The Late Show is cancelled (literally)
Jul. 18th, 2025 05:01 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Except for the time we were in NYC and went to a taping, which was good fun.
Paramount: How dare this man we hired to speak truth to power speak our truth to our power!
Trump: BWAH HA HA HA
Fans who grew up on the Colbert Report and are growing inured to canceled shows: ...okay, so who's going to hire the most popular guy in late night TV now?
I find it upsetting that one of the loudest voices pointing out that the emperor has no clothes is losing his position, not because Colbert is flawless but because what the fuck, censoring satire much? Being able to laugh at the assholes in charge is a survival mechanism.
Self-soothing with John Finnemore.
Stone and Sky by Ben Aaronovitch
Jul. 18th, 2025 01:34 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
4/5. New Rivers of London book. Rated for nostalgic fondness as much as for the book itself. This one takes Peter – and most of the main cast, including the kids – to a community on the North Sea to either vacation or solve a weird magical mystery, depending on whom you ask.
He is now giving Abigail POV chapters, which I will allow because I like Abigail, and also because this is a vast improvement over the American FBI agent (who he is still trying to make a thing, please stop). Anyway, it’s a pleasant mystery written to formula, complete with local cop that Peter befriends. There’s a lot of formula here, actually – Abigail builds a relationship that has a frankly astonishing amount of Peter/Bev DNA. Anyway, it’s a good time, and it is gesturing towards opening up another arc, which I am in favor of. I think he is intending to draw in some of the international elements he keeps so pointedly raising, but in what direction, I’m not sure yet.
I don't like the modern internet
Jul. 18th, 2025 11:08 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
LinkedIn: You want to connect with
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Me: ... I really, deeply wish you did not know that. Also, and this is important, neither of those people lives on my continent, and I have never so much as spoken on the phone with them. How do you know I know them, since I met them via writing porn about DC Comics characters 20 years ago? How can I make you un-know it? What arcane nonsense lurks in the data-mining?
Don't worry -- if I only know you through fandom, I ain't connecting via Linkedfreakin'In unless you give me the okay, because WHAT.
after the money's gone
Jul. 17th, 2025 08:45 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Anyway! I dug out my potato masher and my citrus reamer with carafe for this, so it was nice to be able to use them. I do kind of wish I had a food mill but I've never been able to justify the expense to myself - I used a large fine mesh strainer and it worked fine.
In other news, I watched the most recent season of GBBO and I LOVED EVERYONE IN THE TENT, but especially Dylan! Nelly! Gill! and Georgie!
*
Wildfire Days: A Woman, a Hotshot Crew, and the Burning American West, by Kelly Ramsey
Jul. 17th, 2025 02:40 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Kelly Ramsey became a hotshot - the so-called Special Forces of firefighting - with three strikes against her. She's a woman on an otherwise all-male crew, a small woman dealing with equipment much too big for her, and 36 years old when most of the men are in their early 20s. If that's not enough, it's 2020 - the start of the pandemic - and California is having a record fire year, with GIGAFIRES that burn more than ONE MILLION acres. At one point her own hometown burns down.
The memoir tells the story of her two seasons with the Rowdy River Hotshots, her relationship with her awful fiance (also a firefighter, on a different crew), her relationship with her alcoholic homeless father, and a general memoir of her life. I'd say about three-fifths of the book is about the hotshots, and two-fifths are her fiance/her father/her life up to that point.
You will be unsurprised to hear that I was WAY more interested in the hotshots than in her personal life. The fiance was loosely relevant to her time with the hotshots (he was jealous of both the male hotshots and of her job itself), and her alcoholic father and her history of impulsive sexual relationships was relevant to her personality, but you could have cut all of that by about 75% and still gotten the point.
All the firefighting material is really interesting, and Ramsey does an impressively good job of not only vividly depicting hotshot culture, but also differentiating 19 male firefighters. I had a good idea of what all of them were like and knew who she meant whenever she mentioned one, and that is not easy. You get a very good idea of both the technique and sheer physical effort it takes to fight fires, along with plenty of info on fire behavior and the history of fire in California. (She does not neglect either climate change or the indigenous use of fire.)
This feels like an incredibly honest book. Ramsey doesn't gloss over how gross and embarrassing things get when no one's bathed for weeks, you've been slogging through powdery ash the whole time, there's no toilets, and you're the only one who menstruates. She depicts not only the struggle of trying to keep up with a bunch of younger, stronger, macho guys, but how desperate she is to be accepted by them as one of the guys and how this causes problems when another woman joins the crew - a woman who openly points out that flawed men are welcomed while every mistake she makes is taken as a sign that women can't do the job.
I caught myself wishing that Ramsey hadn't had an affair with one of her crew mates as many readers will think "Yep, that's what happens when women get on crews," and then realizing that I hadn't thought that about the man who had the affair with her. Even I blamed Ramsey and not the equally culpable dude!
Ramsey reminded me at times of Amy Dunn's vicious description of the "cool girl" in Gone Girl, but to her credit, she's aware that this is a persona she adopted to please men and fill the void left by her alcoholic dad. Thankfully, there's a lot more to the book than that.
July Theme - Hobbies and crafts
Jul. 16th, 2025 11:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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What have you found to be doing?
C.J. Cherryh bibliography
Jul. 16th, 2025 04:34 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Sources: ISFDB, Wikipedia, my bookshelves
I collated this list for my Cherryh reread project. I didn't include magazine publications or omnibus editions, and only noted reprints where updated copyright dates or author's notes indicated substantial revision.
Italics = Probably not covering this in the reread.
( Cut for length )
The Very Slow C.J. Cherryh Reread
Jul. 14th, 2025 10:48 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Cherryh is pronounced "Cherry", because that is her name; her first editor thought people would assume Carolyn Janice Cherry was a romance writer. (Her brother, sf artist David A. Cherry, was not subject to similar strictures.) Since the mid-70s, she has written 77 novels and four short story collections (1); self-published three journal collections (blog posts); edited seven anthologies; and translated four novels from the French. Her shared world fiction, not included in the aforementioned collections, must amount to at least another four or five novels' worth of word count.
Notes towards an overview
- It is so hard to know how to start talking about Cherryh's work. She is so foundational and yet so idiosyncratic and weird! She has a wide fanbase and has won two Hugos and been recognized with the Damon Knight Grand Master Award by the SFWA, and I, like many of her fans, am still convinced she is underappreciated. I blame a lot of this lack of recognition on sexism, though I think some of it is also due to the nature of her work. Cherryh belongs to what I think of, for lack of a better term, as Deep Genre: she makes almost no sense if you are not familiar with science fiction tropes and reading protocols. She is almost unimaginable as Baby's First Science Fiction, unless Baby has a heavy tolerance for getting thrown in the deep end and having to figure out oceanography and navigation pn the fly while also learning to swim by trial and error while also being shouted at by several different parties, some of whom are trying to rescue Baby and some of whom are trying to drown them, but good luck telling which is which. (This is, of course, my preferred mode of science fiction immersion, but it's impossible to say whether that is the cause of my deep love for Cherryh's writing or the result of my early exposure to it.)
- Cherryh is an extremely immersive writer, and famously an expert at extremely tight unremarked third-person focalization; she expects you to pick up hints and asides and put together information by implication, or, if you can't do that, at least to be absorbed enough by what you do understand that you just keep going anyway. To this day, I have almost no comprehension of the plot of a Cherryh novel until my second or third reading.
- Cherryh, more than almost any other sf writer, feels like she is writing history: her books don't cohere into a single grand narrative, but are each snapshots of different collisions between nature, nurture, chance individual encounters, and overwhelming social forces. Very frequently, conflicts are upended or balances of power shifted by the sudden intrusion of a player that was never mentioned before, or that got mentioned in a tossed-off subordinate clause in a passage focused on something else entirely, and it doesn't feel like a deus ex machina or an overcomplication; it feels like panning out of a zoomed-in map and realizing you should have been thinking about how those close-ups or insets fit into a bigger context all along.
- Cherryh writes so many different kinds of books—big anthropological novels told blockbuster-style with multiple POVs, with a Victorian devotion to including people across every sector of society and class; weird slender thought experiments about the nature of reality and the definition of humanity; and alien encounters, so many alien encounters, humans encountering aliens, humans encountering humans who might as well be aliens, humans and aliens encountering other aliens who make the "alienness" possible to other humans seem facile and trite. (I am very much looking forward to getting to the weird body horror of Voyager in the Night and the multi-way alien encounter extravaganza of the Chanur books.)
- I have heard Cherryh's prose style called dry; in a recent podcast Arkady Martine called it "transparent"; I remember Jo Walton once in a blog post saying it read like something translated out of an alien language. I personally love its distinctive rhythms and find it extremely chewy and dense, the very opposite of transparent; I think it gets a lot of its peculiar flavor from the deliberate deployment of archaic vocabulary—not words that have fallen out of use, but words where she relies on the older rather than the present connotations. Vocabulary and grammar become tools of estrangement; the style itself tells you that you are not reading something set in the present day and you cannot assume you understand the personal or social logic shaping this narrative by default.
Series and other groupings
I do not have a single good way to divide up Cherryh's oeuvre, so here, have a mishmash of setting, genre, and production history:
- The Union-Alliance universe
Most or all of Cherryh's science fiction takes place in a vast future history known as the Union-Alliance universe for two of its major political powers. Union-Alliance is less a series than a setting; most of the books grouped under it stand alone, or belong to short subseries (often later published in combined editions) that are independent of each other. Outside the subseries, the books can be read in any order, and publication order generally does not reflect internal chronology.
In this future history, habitable planets are rare; extrasolar colonies are initially space stations built out of slower-than-light transports sent from star to star. After FTL (dependent on sketchily explained "jump points") is developed and new (though still rare) Earthlike exoplanets are settled, trade is dependent on family-owned and operated Merchanter ships, each one in effect its own independent small nation.
The books themselves vary widely in focus: some depict an enclosed society, a ship or a space station or a single, sparsely populated planet; some encompass vast spreads of space or time and major historical events. Cherryh has a welcome tendency to produce books whose characters all share a common background and then to go on to write others from the perspective of the other three or four sides of any given conflict. (Conflicts in Cherryh seldom boil down to as few as two sides.)
Although author timelines and republished edition front matter puts all the sf Cherryh produced in the twentieth century into this background, when people speak casually of the Union-Alliance books they often mean the subset of books clustered around the time period of the Company Wars, when Earth is attempting to exert control over its extrasolar colonies. (None of the books take place on Earth; only two take place in the solar system. Probably one of the clearest signs that Cherryh is American is that her sympathy defaults to the colonies attempting to break away.) - The atevi series
In the atevi series (also known as the Foreigner sequence, for the first novel in it), a lost human ship settles on a world already inhabited by an intelligent native species called atevi.
The humans and atevi get along great for around twenty years, which is when the humans find themselves in the midst of a catastrophic war they don't understand how they started. The surviving humans are displaced to a single large island, with a peace treaty that declares no humans will set foot on the mainland except the official interpreter.
The series takes place a few hundred years later and focuses on the latest official interpreter, whose job duties are soon to expand drastically and include cross-planetary adventures and fun poisoned teatimes with local grand dames.
This series has been the bulk of Cherryh's work since the mid-nineties. It is twenty-two volumes and still ongoing. Unlike the (other?) (2) Union-Alliance books, these form a single continuous narrative; by the late teens, they are more or less a roman fleuve. Cherryh initially breaks down the longer series into sets of three, possibly with the hope each new trilogy could serve as a new entrypoint, but this pattern is abandoned after the first fifteen books. She does still valiantly attempt to summarize the important points of the previous books within text, but in my opinion this straight-up does not work. You really do need to read these books in chronological order for them to make sense.
The series is popular and well-beloved and has been cited as a major influence by both Ann Leckie and Arkady Martine, and I nevertheless blame it in part for Cherryh's failure to receive the attention and respect she deserves. Long ongoing serials do not tend to receive as many award nominations or reviews as work that requires less background reading, not helped in this case by the weakness of the latest books. The atevi books have always been less dense than Cherryh's earlier work, but in the past decade they have sometimes narrowed down to an excruciating microfocus. (I am especially cranky about Book 19, which takes place over a single weekend and is entirely concerned with the logistics of securing a hotel room from infiltration or attack.) - Fantasies
Cherryh's fantasies are all traditional medievalish works, most of them very Tolkien influenced. The majority of them are in ahistorical, vaguely Celtic settings (the Ealdwood books, Faery in Shadow/Faery Moon, the Fortress series, possibly Goblin Mirror); one trilogy is set in land-of-Fable Tsarist Russia; one magicless standalone is set in a kind of China-Japan analogue that feels a lot less Orientalist than that combination should because of the determined lack of ornament and exoticization (YMMV).
Like her science fiction, Cherryh's fantasy tends to feature protagonists who are terrified, desperate, paranoid, and in desperate need of a bath and a good night's sleep. Also like her science fiction, somehow or other her fantasy invariably ends up being about thought control and social conditioning and infinite regresses of self-conscious thought. - Shared-world work
The eighties saw an explosion in shared-world fantasy, something like professional fanfiction and something like the work of television writers' rooms: groups of writers would collaborate on stories set in a background they developed together. One of the earliest and most influential was the Thieves' World series edited by Robert Lynn Asprin and Lynn Abbey, set in a sword & sorcery venue most notable for its exponential urban deterioration with each volume, grimdark avant la lettre. Cherryh was a frequent contributor, her stories featuring a particular set of down-on-their-luck mercenaries, street kids gone hedge magicians, and the extremely powerful vampirelike sorceress Ischade. This series set the pattern for her most significant later shared world works, both in terms of her frequent collaboration with Abbey and writer Janet Morris and in the tendency to treat each story more as a chapter in an ongoing serial than as a complete episode in itself.
For Janet Morris' Heroes in Hell anthologies, set in a Riverworld-inspired afterworld where everybody in all of recorded history seemed to be in the underworld, Cherryh relied on her college major and Master's degree in Classics to write about Julius Caesar and associated historical figures, producing nine or ten short storie; some of the short fiction was incorporated into the two novel collaborations with Morris and Cherryh's solo Heroes in Helll novel. The world-building and general theology are frankly a mess, but I would still 100% go for a historical novel of the Roman Republic or early empire if Cherryh felt like writing one.
Cherryh launched her own shared world series, Merovingen Nights,with the solo novel, Angel with a Sword, and then edited seven subsequent anthologies. She described several of the anthologies as "mosaic novels", and they do indeed show an unusual amount of close coordination and interdependence among the stories penned by different authors. Despite the novel title, the series is science fiction, set on an isolated planet in the Union-Alliance universe. Neither novel nor anthologies were reprinted during DAW's early 2000s phase of repackaging most of the older work Cherryh originally published with them, which is a great shame; they are very solid.
Full disclosure
This isn't 100% a reread project. There are three books in the 2000s I've never read. I'll let you know when we get there.
I also expect Cherryh to have published more books by the time I finish, but let's be real, I'm going to read those as soon as they come out.
Currently I'm not planning to cover Cherryh's translations, her journals, or most of her shared world work. I'm not sure how I'll handle the Foreigner books, which suffer from diminishing returns; I may cover the first few and stop, I may skip around to only the volumes I find particularly interesting, I may bundle together multiple volumes in a single post.
I am going to cover the Lois and Clark tie-in novel, because I find it hilarious that Cherryh (a) wrote a contemporary novel; (b) wrote a tie-in novel; (c) wrote a Superman novel. (Her first short story ever, the Nebula Award winner "Cassandra", was also set in the then present day, but I think that's it.)
Other Cherryh reading projects
- The single tag for Jo Walton's Cherryh rereads has been lost to the Reactor Magazine reorganization, but you can find them pretty easily by going to the oldest Cherryh reviews on the site and reading forward
- Ian Sales' SF Mistressworks project has multiple Cherryh reviews by multiple reviewers
- The Three Hoarsemen podcast, The Works of C.J. Cherryh
sholio's Read All the Cherryh tag
james_davis_nicoll is reading a Cherryh a month for 2025; to find his earlier Cherryh reviews, use a keyword search
Endnotes
1 This count includes the collaborations with Janet Morris and Jane Fancher, but excludes The Sword of Knowledge series, which was written entirely by her collaborators (Leslie Fish, Nancy Asire, and Mercedes Lackey) from Cherryh's outline. [back]
2 It's not clear from the text itself whether or not these books also fall under the Union-Alliance umbrella. Cherryh has sometimes said they do, but the humans in the Foreigner series are so isolated that the events of the Union-Alliance books have effectively no bearing on them. [back]
Searching for an omen, looking for a sign
Jul. 15th, 2025 06:18 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Anyway, that has been my birthday! I put all thoughts of cooking on hold until tomorrow, when I might make pulled pork (or I might not) and some kind of fancy dessert (I am thinking about this coffee icebox cake but without a stabilizer in the whipped cream I don't know how it could hold its shape if you turn it out of the loaf pan; on the other hand, I'm not taking it anywhere so I can just scoop it out without removing it, so I guess that's not really an issue), but we'll see how I feel tomorrow - it will be cool to not have to wash up by hand afterwards!
Sunday at Dom's was lovely - Baby Miss L was a mermaid in the pool (she kept exclaiming, "Mermaid!" and kicking ferociously - she hasn't had swimming lessons yet but she seems like a natural at this point) - and once she warmed up after her nap she was her usual delightful self. She enjoyed the books I brought her, especially "Be Brave Like Batman" (to go with the Batman and Robin t-shirts), and she wore her Superman dress, so we are covering all superhero bases.
I made the KAF fudge brownies again to take with me, since I was assured that they'd loved them last time, and this time I got to taste them and they were good! Slightly overbaked, but still chocolatey.
Then yesterday on my ride home, the driver took Jericho Turnpike all the way to the Cross Island, which made the trip longer, but did avoid traffic and construction, so I guess the extra 10-15 minutes was worth it.
And I still have 6 more days off before I have to go back to work!
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Updates to "No Fandom" Additional Tags, July 2025
Jul. 14th, 2025 04:25 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
AO3 Tag Wranglers continue to test processes for wrangling canonical additional tags (tags that appear in the auto-complete) which don't belong to any particular fandom (also known as "No Fandom" tags). This post will provide an overview of some of these upcoming changes.
Previous Tag Wrangling updates can generally be found on the @ao3org Tumblr and, for No Fandom tags, AO3 News. While No Fandom tag updates are generally announced on AO3 News as well as the @ao3org Tumblr, this may not be true of all wrangling updates. Some updates may remain solely distributed via Tumblr, especially those that only affect one or two fandoms. The way we distribute updates is subject to change as we work through new processes.
During this round of updates, we began a method which streamlines creation of new canonical tags, prioritizing more straightforward updates which would have less discussion compared to renaming current canonical tags or creating new canonical tags which touch on more complex topics. This method also reviews new tags on a regular basis, so check back on AO3 News for periodic "No Fandom" tag announcements.
None of these updates change the tags users have added to works. If a user-created tag is considered to have the same meaning as a new canonical, it will be made a synonym of one of these newly created canonical tags, and works with that user-created tag will appear when the canonical tag is selected.
In short, these changes only affect which tags appear in AO3's auto-complete and filters. You can and should continue to tag your works however you prefer.
New Canonicals
The following concepts have been made new canonical tags:
- Breeding Kink
- Conlangs | Constructed Languages
- DILFs | Dads I'd Like to Fuck
- English Is Not The Author's First Language
- Fast Burn
- Mind Break
- Monsterfucking | Teratophilia
- Rivals to Lovers
- Wholesome
In Conclusion
While all these new tags have already been made canonical, we are still working on implementing changes and connecting relevant tags, so it’ll be some time before these updates are complete. We thank you in advance for your patience!
While we won't be announcing every change we make to No Fandom canonical tags, you can expect similar updates in the future on the tags we believe will most affect users. If you're interested in the changes we'll be making, you can check AO3 News, follow us on Bluesky @wranglers.archiveofourown.org, Twitter/X @ao3_wranglers, or Tumblr @ao3org for future announcements.
You can also read previous updates on "No Fandom" tags, linked below:
- Update on "No Fandom" tags
- Another Update Regarding "No Fandom" tags
- Updates to "No Fandom" Additional Tags, posted to AO3 News
For more information about AO3's tag system, check out our Tags FAQ.
In addition to providing technical help, Support also handles requests related to how tags are sorted and connected. If you have questions about specific tags, which were first used over a month ago and are unrelated to any of the new canonical tags listed above, please contact Support instead of leaving a comment on this post.
Lastly, as mentioned above, we are still working on connecting relevant user-created tags to these new canonicals. If you have questions about specific tags which should be connected to these new canonicals, please refrain from contacting Support about them until at least two months from now.
The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.
Superman 2025 thoughts, no spoilers
Jul. 14th, 2025 01:16 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This Ma and Pa Kent were my favorite iterations of themselves outside of comics, and I fully believed that this Clark would say, "Dang."
If you like your superheroes a little too clean-cut and a lot too earnest, you, too, may enjoy this flick.
get down, get down
Jul. 12th, 2025 09:52 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This morning, I received a series of glamour shots and a video of Baby Miss L thoroughly excited about wearing the t-shirt. It was so great!
I also learned that The Muppets covering Jungle Boogie is one of her current favorite videos. AMAZING!
On all counts, her vibes are immaculate.
Tomorrow, I'm going to a birthday bbq at my brother's, and I'm bringing her the Batman and Robin t-shirts, plus some toddler books about Batman and the Justice League. Hopefully she enjoys them almost as much! (I also recently sent her a Captain America t-shirt, which I believe she wore for the 4th, and I also got pics of her in the Superman dress, with her arms up like she was flying. 😍😍😍)
In other news, I found this review of the new Superman movie really moving. Will I venture out to a theater to see it? Probably not, but I will be very excited to watch it when it makes its way onto HBO in a few months.
*
Weird Al and "Oh hey, it's that guy!", Murderbot-style
Jul. 12th, 2025 03:00 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Also, the audience was full of people wearing extremely cheerful shirts, and made great viewing.
I have not seen the most recent Murderbot yet, but I did spot David Dastmalchian as John Deacon in a clip of Weird-the-biopic which was played at the concert, so that's almost the same thing, right? I was very proud of my facial recognition software for picking up on that. I would like to belatedly award points to the casting department for finding a way to get another MENA-descended person into Queen, which is a great joke I didn't get at the time.
I loved the new Murderbot short story, which I read aloud to my SO.
Reading adventures
Jul. 12th, 2025 05:16 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
About a month ago, I tried to read some 911 fic from
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
A couple of weeks ago I saw a post on Tumblr that said something like, paraphrased, "There's a very popular notion that in the past all literature was good quality compared to now, but that's not true. This is survivorship bias. The stuff we still know and read in the present day is the good stuff, but a vast quantity of bad and mediocre stuff is lost to time." Someone responded by linking to The Westminster Detective Library, a project investigating the earliest history of the detective fiction genre. Apparently the professor who began it was initially inspired by a conviction that Poe's Murders in the Rue Morgue was not actually the first detective short story based on features of its writing which in his opinion betrayed the signs of a genre history. The website contains transcribed public-domain detective fiction that was published in American magazines before the first Sherlock Holmes story's publication. I have been enjoying reading through it chronologically since I read the post. Reading in one genre is a bit like reading in one fandom, and reading very old fiction has several special points of interest to me because I love learning about history and culture in that way. Of course on the minus side, it isn't gay. But I'm getting fascinating glimpses of the history of the genre and the history of jurisprudence in both America and Britain. And although there is definitely mediocre and "sub-mid" writing published in the periodicals of the 18th-19th centuries, awash in silly cliches and carelessly proofread if at all, they are still slightly more filtered for legibility and literacy than the experience of reading modern fanfiction (even, as mentioned in the last paragraph, from recs lists and bookmarks, unless you have a supply of trusted and well-known reccers to follow. I sometimes come near tears remembering the days when I could always check what
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The other thing that has happened to affect my reading is that my little sister's high school best friend got engaged and invited my sister to her engagement party in Florida, which is going to be "Gatsby-themed". The 1920s is possibly my single oldest hyperfixation, dating from before the age of 10, and it's the historical period that I know and care the most about. For the past ten years or so the term "Gatsby" has, consequently, inspired me with the most intense rage and irritation, because its popularity after the movie version of The Great Gatsby flooded the internet with so much loathesomely inaccurate "information" about and imagery of the 1920s as to actually make it harder to find real information, and nearly impossible to filter out this dreck. So my sister began shopping for her Engagement Party Outfit, which is supposed to be "Gatsby"-themed, and I am the permanent primary audience for this (just as she is the permanent primary audience any time I am planning outfits or considering my wardrobe). This has led me to reading 1920s magazines online from the Internet Archive and HathiTrust - initially the middle-class fashion magazine McCall's; then also Vogue and Harper's Bazar (much more pretentious and bourgeois). I tried to branch out into interior design magazines of the same period (House & Garden and Better Homes & Gardens), but it has been harder to find scans of them. I find 1920s romantic fiction (serialized copiously in all these magazines) much less readable and enjoyable than the 1920s detective fiction which I am more familiar with (I've read plenty of it thanks to my interest in Golden Age detective stories)... but I've also learned a lot more physical and aesthetic details about women's fashion and interiors from the romantic fiction, which makes me think I perhaps need to seek out more of it.
the read on the speed-meter says
Jul. 11th, 2025 03:20 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So we'll see how this goes on Tuesday. Keep your fingers crossed that it doesn't completely wreck my kitchen!
Speaking of wrecking my kitchen, my current HGTV viewing is "Help! I wrecked my house!" which I'm enjoying, but oh my god, the sheer hubris of some of these mediocre white men, who think they can demo a kitchen or a bathroom down to the studs and then figure out how to put in a new one, and then have to call Jasmine because of course they can't. I don't understand these people, tbh. There is nothing wrong with asking a trained professional to come in and do that kind of work, especially if you're not particularly handy. (And even you are handy in the "can change a washer in the faucet" variety, what makes you think you can install a shower from the ground up??? WTF?) On the other hand, I am really sympathetic to the folks who did hire a contractor who turned out to be shady and didn't do the work properly and stiffed them of their money to boot!
In other news, I am now on vacation and very excited about it! Except shit, I forgot to set up my out of office message. I will have to log back in and do that.
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